LEGAL AND ETHICAL CONSIDERATIONS

Before the magazine can be punished and consumed by the reader there are several legal and ethical issues that must be checked beforehand. Two of the main bodies that handle the regulations of media publishing are the Independent Press Standards Organisation (IPSO), and the Advertisement Standards Authority (ASA), which are both based in the UK. Some of the main legal areas include; copyright, the right to privacy, seditious libel and criminal libel, ethical issues include; discrimination and accuracy,

Copyright issues:

This is a form of intellectual property, it enables the creator of content the power to exclusive rights of their work. Therefore if copyright is broken they will be compensated for their intellectual effort. When publishing the magazine we need to guarantee that none of the content we publish breaches any copyright laws. If we do plan to use copyrighted context, such as image we must seek permission from the original creator. 

Before creating the magazine there are several areas that need to be researched. When using content within the magazine that was not created by us we have to contact the original creators and seek permission to use such content. If this is not done the magazine can come under criticism and it is highly possible that we will face a fine. Additionally with the copyright law we will have to prove that we have permission from the content creator that we can use their material. 

PCC/IPSO- What needs to be considered?

When producing the music magazine I have to consider the editors code, this can be found on the official press complaints commission website. The first thing in the editors code states is that those who contribute to making the magazine have a duty to maintain the highest professional standards. This connects to all areas of the magazine including the content and the way we handle subscribers information need to be dealt with in the most specialised way. This sets a professional benchmark guaranteeing our readers quality reliability and experience.

Additional information that is stated in the editors code that must be applied to the magazine development is having to apply in the code, including all highlighted areas to both print and online-based material. This means that all editors will have to check through information that we publish to make sure we are within the guidelines of the code we also have the responsibility of dealing with the complaints directly from the press complaints commission. These can be about copyright issues or privacy breaches.

Intellectual Property:

Another area that needs to be considered is including intellectual property within the magazine. Intellectual property is protected by patents, copyright and trademarks which permit people to earn financial benefit from what they invent or create. An example of this would be using company logos such as Facebook or twitter. The magazine would have to gain certain permissions to use the logos. With some companies a financial agreement might have to be made. Therefore if we wanted to write an article on a specific festival, the company that runs the festival will ask to have an advertising feature or competition that will gain them a profit from giving their permission to appear in the magazine.

Safe working Practices – Image and Software “safe working practices”

When taking and editing the images for the front cover and double page spread I had to take into consideration risk assessment. This meant I had to look at all the individual ‘safe working practices’ and how they could affect the final images. 

Image Risk Assessment

Before taking the images I needed to make sure that the model gave their full permission to be photographed and the image being published both online and in print media. I found that the best way to gain permission was to get the model to sign the consent sheet. By gaining permission through this method the magazine has declared proof of a signed document; this means that if there are any future legal difficulties it would not be the magazine at fault.

When deciding on a location for the shoot to take place, a risk assessment had to be conducted to guarantee both the artist and the people who are taking the images are safe. Areas that should be looked at should highlight possible hazards such as cabling on the studio floor. 

Software Risk Assessment

When editing the images that I had taken in the studio I wanted to keep a professional high image quality. This meant that I looked into different ways of guaranteeing that the final images would have no evidence of resizing pixelation. I found that the most useful method of resizing images and also keeping the original high quality pixel was to use the ‘Transform Tool’ on Adobe Photoshop. This technique is when resizing the image to hold down the ‘Shift’ key on the keyboard. The purpose of this tool is to keep the dimensions of the image the same so they are not stretched and distorted which can in turn affect pixel quality. 

To maintain consistency throughout Fierce magazine I wanted to make sure that all of the colours were the same on adobe Photoshop is the ‘eyedropper tool’ that helped choose and find the colour of an object. Then you have the opportunity to save the chosen colour into a swatches palette. This meant that every time I created a new text or object to be inserted into the magazine pages. To find the magazines colour I had to go into my ‘Saved Swatches’ palette and choose the colour I wanted to use. This sped up the colour choosing process as well as keeping a professional standard for the magazine. 

RUNNING ORDER

Producer(s): Charlotte GoodliffeProduction Title: Goodliffe Productions 
TimingPhoto (before outfit change)WherePersonnel Involved
0:00 1-10StudioCharlotte GoodliffeStephanie Baker-PerkinsThomas Daley
3:00 10-30StudioCharlotte GoodliffeThomas Daley
3:30 30-50StudioCharlotte GoodliffeThomas Daley
4:00 50-65StudioCharlotte GoodliffeThomas Daley
6:00 65-80StudioCharlotte GoodliffeThomas Daley
8:00 80-100StudioCharlotte GoodliffeStephanie Baker PerkinsMark Fisher

RISK ASSESSMENT

Producer:Production Details:
Charlotte GoodliffeGoodliffe Productions
Types of Risk: Personal Injury / Health & Safety / Damage to equipment / Halting Production
Risk TypeDetails of RiskWays to minimise riskPerson(s) Responsible
Health & SafetyTripping on cablingEnsure cabling is run carefully and secured where possible.Charlotte Goodliffe
Damage to EquipmentDropping cameraEnsure camera strap is used at all times and placed carefully when not in useCharlotte Goodliffe
Halting ProductionNo charged batteries available for camera/wireless microphoneEnsure batteries for all equipment are charged well in advance of shooting.Charlotte Goodliffe
Damage to EquipmentEquipment left on, potentially overheating and reducing the life of the equipmentEnsure equipment is all powered down at the end of shootingCharlotte Goodliffe
Halting ProductionFaulty equipmentCheck all equipment prior to shooting beginning to ensure all time in the studio is dedicated towards filmingCharlotte Goodliffe
Halting ProductionStudio unavailable at the time of shootingThe studio is run on a booking system, must make sure that I book the room well in advance of the proposed shooting date.Charlotte Goodliffe
Halting ProductionRequired equipment unavailable at time of shooting.Due to limited equipment I must make sure I hand in my equipment booking sheet well before the day of shooting to ensure everything I need is availableCharlotte Goodliffe

RESEARCH PLAN

Producer(s): Charlotte GoodliffeProduction Title: Goodliffe productions 

Areas to research:

  • Other fashion magazines such as Vogue, V magazine and Elle.
  • Article topics
  • Cover layout
  • Colour schemes
  • Double page spread layouts
  • The target audience (Likes, dislikes, demographics psychographics)

Potential Sources:

www.vogue.co.uk

www.surveymonkey.com

http://www.elle.com

Secondary school students at Haydon School

Social networking: Facebook & Twitter

Primary Research that will be undertaken:Creation of a SurveyMonkey survey which will be distributed via social media, email and Haydon School’s VLE. The survey will be constructed to gain information of 12-18 year olds’ interests and what they would be compelled to red in a fashion magazine.Interviews will be conducted with individual students at Haydon School to gain a more in-depth and personalized understanding of their interests. 
Secondary Research that will be undertaken:Research the percentage of 12-28 year old females who are subscribed to fashion magazines, and whom of which regularly read them. Also a questionnaire in the style of ‘would you rather’ where the readers choose which articles they are more interested in reading.Use of Twitter hashtags such as #fierce, #female etc to observe opinions of celebrities & key influencers.

PERSONNEL DETAILS

Production Details: Goodliffe productionsProducer(s) Charlotte Goodliffe
Job RoleNameDescription of RoleEquipment required 
Producer & Director Charlotte GoodliffePre Production & DirectionComputer
Editor Charlotte GoodliffeEditing of footagePhotoshop CS6
Camera Charlotte GoodliffeTaking photographs  on location, including studio shots and location shots.Canon 550D, Aperture Lens, Zoom, Lens SteadyCam, Tripod 
Model and cover star Grace WestWorking as a model on the front coverGrey backdrop

LOCATION RECCE

Production Details: Goodliffe productions Producer; Charlotte Goodliffe 
Details of LocationRoom 19 StudioAddressHaydon School, Wiltshire Lane, Eastcote, Pinner, HA5 2LX   
IMAGES   
Advantages of location – Pre-fitted grey backdrop, suitable size for production, bookable after school hours, controlled environment.   
Location Considerations (problems, timings, permission etc)Room is used as a classroom during school hours, so room must be used outside of these hours.Room is used by other students through a booking system; must ensure room is booked well in advance.Room is occasionally used for homework clubs, must ensure day booked does not clash with club.  

FILM LOCATION RELEASE CONTRACT


Production Title: FIERCE

Producers Name: Charlotte Goodliffe

Location(s) Requested: Room 19 Studio – Haydon School

This document is to confirm the agreement between the producers (see above) and Miss Baker Perkins of Room 19 Studio, to make available to the producers the following premises (“Room 19 Studio”): Haydon School, Wiltshire Lane, Eastcote, Pinner, HA5 2LX

1) The location shall be made available to producers in connection with the production ‘Fierce’ on 01/02/2014

2) The producers have notified you of the scenes which are to be shot at the location, and you confirm and agree that you consent to the filming of these scenes, and you confirm that you will not make any objection in the future to the location being featured in the production.

3) The location shall not be represented under its real name within the body of the production, but will be credited as such during the production’s credits.

4) The producer shall be entitled to incorporate all photographs taken at the location on 08/01/2020, in the production as they may require, at their sole discretion.

5) The producer shall not make any structural alterations to the location.

6) The producer shall treat the property with respect at all times.

Please signify your acceptance of the above terms by signing and returning this form to the producers.

SIGNED CGoodliffe

DATED 08/01/2020

EQUIPMENT BORROWING

NameCharlotte Goodliffe Form12AAK
Details of ProductionFashion magazine entitled ‘Fierce’.

Equipment Borrowed

Studio Lighting – (continuous studio lights and flashlights. I attached umbrellas to the flash lights to diffuse the light which created an even green hue).

Canon 550D

Zoom Lens

Computer

SD Card

Date Borrowed

06/01/2020

No. of Days needed

2

Staff Signature on return

Student Signature on return

CGoodliffe

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